Is Form Dictated by Function? Does it Matter?

Each Portion Want Attention

Is Form Dictated by Function? Does it Matter?

Maybe... I have to ask what exactly is function? And, what exactly is form.  A house has to have a way in and out to function as a shelter.  It can have windows to let light in and air circulation.  Then there is insulation, heating, and on and on.  These things determine what needs to be included in the form that a house takes.  But we also consider aesthetics. When we do this, we turn the old saying on its ear and start to consider the function of the form itself.  That's why I don't view tooling on a saddle as non-functional.  I also don't think of refinement in the curves of the fork and swells as non-functional. I suspect that form and function are related to each other in ways besides one of them coming first.  A tree for example needs certain things to survive.  Getting those things is what affects the way it grows.  But other forces will change the form that it grows into so that it can survive.  Then there is the variety of forms that other trees in the same neighborhood take to solve the same problems.  I'm wondering how this all relates physically because I don't want to miss out on anything that the creative process has to offer, or what I can potentially bring to my work.  I think that perhaps intent and focus have as much to do with the form we give to a thing as the thing's aspect as a tool, and each detail want attention.  The question I like to ask is; what can I give to this thing that I'm making?

Gordon Andrus

New Standard Line Professional Awl Hafts

Standard Line Professional Awl Hafts

New Standard Line Professional Awl Hafts

I've started a new line of standard awl hafts that will sell for $85.00. $150 with a blade. As with a my Artisan Made line, the blades are secured into the haft with two 8-32 hex drive set screws. These tools are not a cheap budget item. They are turned by me on a manual lathe and are made with the same attention to detail as all of my Red Ox brand tools. They are simply less detailed so take less time to make. I'm happy to be offering a more affordable tool that will perform at a high professional level.

Gordon Andrus

What is Form?

What Is Form?

The English studio potter Michael Cardew expressed an idea, that form is a thing not of the self, separate from the maker, and existing by itself.  This thought has intrigued me since I first encountered it thirty-five years ago.  My musings on this idea have leant direction to my creative life.  The realization — that this search for form need not be crowded by an over emphasis on oneself as creator, artist, and maker — is liberating.  There is freedom in the idea that form is something to seek after, to look for in the world. 

Plans of Procedure

Plans of Procedure

When Starting out as a full time saddle maker, I kept a plan of procedure for each of the various rigging types that I was called on to build.  These plans were constantly being updated as I proceeded from saddle to saddle.  Here are some of the documents that I worked up back then.  I don't do things exactly like this now, and in some cases have changed things quite a bit.  My hope is that these might be helpful to some of you just starting out, and that they may provide a guide to your own note taking.  When I was building mostly contract saddles this approach really helped to develop efficiency and speed in my workflow.

The fourth PDF here is a copy of the notes I made when teaching other makers to build the hunting saddles that we were contracted to produce.

Fitting and Costructing-drop plate rigging
Fitting and Constructing in skirt
Fitting and Constructing in skirt and hubbard

Fitting hubbard skirt jockey